whole tone scale chords

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E: E7♭5, E9b5, E9♭5♭13 E Whole Tone for guitar. Check it out: Share with your Most people think of using the whole tone scale for augmented chords, but you can build 7♭5 chords from the whole tone scale as well. Scales are usually compared to the Major Scale to find the intervals used, but because the Whole Tone Scale has 6 notes (Major Scale has only 7) it makes better sense to just look at it intervallically. C Whole Tone Scale Chord Diagram - What are Chords 4. Here, Guitar they are playing. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. The notes of the first one, WT0 is C – D – E – F# – G# – A#, while the notes of the other scale are Db – Eb – F – G – A – B. E: E+, E7#5, E9#5 C9♭5 = D9#5. Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. Start 5 and 6 Note Chords: C#9b5 C#9#5 D#9b5 D#9#5 F9b5 F9#5 G9b5 G9#5 A9b5 A9#5 B9b5 B9#5. #7) Play “boxes” or 1-octave shapes for short runs, but use 2-octave shapes for longer sections. The mysterious, aimless, and rootless sound of this scale can make it difficult to know exactly when to use it. Unless you really want to get weird and just want to add some really bizarre stuff to impress your friends that are into Jazz, Fussion and contemporary classic music. Dominant 9th chords with raised 5ths are really weird but believe it or not, I have run across them in charts before. If you made any changes to your settings. Note that the 9#5 chord is equal to the 9♭5hord on the ♭7, e.g. These maps show you the tones in a chord all along the fretboard. fellow guitar players! And from Vol II: Jim Crow Blues page 21, I’m Certainly Living A Ragtime Life page 37, Bill Bailey page 73. Silverman’s Folk Song Encyclopedia: Jeanie with the Light Brown Hair page 129 Vol I. Beatles: From Me To You Notice the first half of the scale is diminished and the second half is whole-tone. In that article, I include songs that use the aug triad. For example: Chord Prog. As a result of those chords equalling each other, there are 2 repeated shapes for 9♭5 guitar chord shapes that are shown above for the 9#5 shapes. that will help you learn how to move freely on the neck and play any chord you want in any The aug triad and 7#5 chords are mostly used in place of the V chord. Remember that every other note of the scale builds the same chords. You can also build the 7#5 chord on the tonic of the altered scale and the 5th degree of the melodic minor scale. and server bills There are 2 semitones and 5 whole steps. C whole tone scale = C-D-E-F#-G#-A#. The Whole Tone scale exists with two sets of notes: C - D - E - F# - G# - Bb (shown above) C# - D# - F - G - A - B This is because there is no leading note in a whole tone scale, since it can be played symmetrically from any note on the keyboard, and all the intervals are the same. C9#5 = B♭9♭5. One of the reasons why the whole tone scale is not really fancied by instructors and performers alike is because it is symmetrical and symmetrical ideas in tonal music can exist in more than one key at once. 9#5 = augmented 9th = 1–3–#5–♭7–9. The harmony of the whole tone scale is rarely explored like traditional scales and modes. in notation, with scale degrees: The notes that give this scale its unique sound are b9, #9, b5 and 13. Major chords – do use use whole tone? And they resolve to both the major and minor tonic chord. That’s some weird stuff. Stevie Wonder: If You Really Love Me, My Cherie Amour, Send One Your Love A major scale is formed with the formula W-W-H-W-W-W-H. Find guitar scales using graphic interface. If you need help in reading the diagrams on this page, check the How to read Scale - Whole Tone 1,2,3,#4,#5,b7 FULL-th pattern Root note - A Guitar Tuning: Standard - E-A-D-G-B-E #4) You can use the scale over dominant 7ths and the 7alt chords mentioned above starting on any scale degree assuming there is not a ♭9 or #9 in the chord. music for Since 2013, FaChords Guitar has grown a lot (12.000 subscribers and counting!) guitar, How to play guitar This altered scale is sometimes referred to as a diminished whole-tone scale (it’s part half-whole diminished scale and part whole-tone scale) and is also the melodic minor scale starting on the 7th note (in G7, an Ab melodic minor scale). . along the fretboard 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. Notes: So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. Here are some songs I found that use flat 5 chords: Pink Floyd: maj ♭5 in Great Gig in the Sky 7♭5 chords are unique because their 2nd inversion equals another 7♭5 chord built on the ♭5, e.g. You can also look at the scale as two augmented triads separated by a whole tone. I also list examples of songs that use chords from the whole tone scale and I include augmented 7th and 7♭5 guitar chord shapes, both closed and open chords in the key of E. The whole tone scale is a unique and difficult scale for beginner guitar players. Let me go over the obligatory points of the scale that you will see in every other article: That should do it for the basic definition of the scale, but let’s look at some practical points. A♭ (or G#): Ab+, A♭7#5, A♭9#5 But give the scale a try for some unique riffs. I suggest that the major ♭5 chord is the base of 7♭5 chords. Beach Boys: 7♭5 in When I Grow Up, 9♭5 in Orange Crate Art. Gb (or F#): Gb7♭5, Gb9♭5, G♭9♭5♭13 Bb (or A#): Bb7♭5, Bb9♭5, B♭9♭5♭13. Either play a 7♭5 or an add#11 chord. You will discover that there are only two whole tone fingering patterns to learn. All open chords for every chord type in every key. #3) The scale is ideal over +, 7#5, 9#5, 7♭5 and 9♭5 chords. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; Let’s look at the augmented chords first since they are most often associated with the whole tone scale. Moreover, it contains every Dominant 7 th chord with Augmented or diminished 5 th , that is, the 7( 5) and 7( 5) chords, which are formed by considering any note of the scale as the root. There is a much easier way to form this scale. But if you need to play a maj ♭5  chord, just find a major triad shape and lower the perfect fifth by a half-step. And since 9♭5♭13 chords are made up of 3 tritones, they resolve beautifully to 6 different keys by a half-step above each chord tone (or below each chord tone). You can also build a 7♭5 chord on the tonic of the altered scale and the 4th degree of the melodic minor scale. Dm7. Sting: 7♭5 in Seven Days I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. The harmonic spelling of the notes is not important. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference … incredibly helpful Whole Tone Scale This scale works of Dominant 7#5 chords or can be used to create tension in other environments too - it's a fun one to explore and has angular geometric patterns on the neck which can make for fun trippy exploration! All 3 augmented chords normally resolve to a perfect fifth (P5) below – so acting like a V chord. Ab (or G#): Ab7♭5, Ab9♭5, A♭9♭5♭13 They are shapes where the root is not in the bass, so they can be either chord. Beach Boys: I Just Wasn’t Made For These Times, Orange Crate Art (also has a 9#5 chord) The 9♭5 chord equals a 9#5 on the 9, e.g. Minor scales – do use use dorian? For example, use the scale over C7, D7, E7, F#7, A♭7, and B♭7 chords, or 7♭5, 9♭5, 7#5 & 9#5 chords in those same keys. And like the augmented chords, every other note builds the same chords (I’m skipping the maj ♭5): D:D7♭5, D9b5, D9♭5♭13 2) For the #2 7♭5 shape, you can bar the root & ♭7 with the 1st finger as a different fingering. We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. So you can build a Fmaj♭5 and Fmaj7♭5 chord. The note F in C major has a perfect 5th C and a diminished 5th B (usually notated as #11). This is a very particular scale, find more about it with reading the whole-tone scale tutorial. Domination, you'll find the fretboard tones maps for 44 different But that chord also resolves up a whole step nicely: C7♭5 to D and G♭7♭5 to A♭. The scale formula is W-W-W-W-W where “W” stands for whole tone. I used some of his licks and made some tweaks of my own. On this page, you find several fretboard diagrams for the Whole-Tone scale, with box and 3 notes per string patterns. A Whole Tone scale has no consonant chords, but it contains every Augmented chord formed by considering any note of the scale as the root. A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) #1) The scale adds tension but has no resolution. Donations will allow me to pay my bills and provide you with great content. tones, note names, and finger Most jazz guys know you can build a 7♭5 & 9♭5 chord from the WT scale. Or you could say the 9#5 equals a 9♭5 on the ♭7. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh. #2) Because of the root, 3rd & ♭7 of EVERy chord built from the scale, you can add tension using the scale over dominant 7th chords – 7, 9 & 7#11 chords would be best. Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). positions, a handy visual chord formula table, and the tones fretboard There are no half steps like in the major scale, so you get the “outside” sound of the scale when played over a chord progression. Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. Due to the coronavirus, I have lost 80% or more of my income. You only need to look at one note because every other note builds the same chords. As we’ve seen, the half steps are the semitones and the whole steps are the whole tones. or a jazz minor? For example, try an Eaug as x-7-6-5-5-x and let it ring out for the remainder of the measure. Allman Brothers: Stormy Monday (their version) The 7♭5 chord contains 2 tritones and it can resolve to 2 different keys: C7♭5 \ G♭7♭5 resolves to both F and B. Domination. For this reason, the whole-tone scale is also maximally even and may be considered a generated collection. The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. Apps, How to read Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. This stands for whole step, whole step, half step, whole step, whole step, whole step half step. Big list of common triads and four note chords of the scale C Whole Tone #'S position. Take a listen to the video below, at 4:54 Freddie begins his solo by creatively using the altered scale: Download the free Guitar Scales Chart in pdf format. There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. 1) I marked the 1 and the ♭5 of the 7♭5 chords as root notes since they both are\can be the root of the chord. Here is a chart of the symbols on my chord blocks: Here are 12 closed augmented 7th chord voicings and 6 open E chord shapes. All PayPal contributions are greatly appreciated! No one knows what to call that second “chord” type, but I like maj ♭5. Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. Tones and Semitones in a Minor Scale The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. The fact that the chords and the scale don’t have any sense of resolution makes it difficult to listen to for long periods of time, like for a whole song. And finally, it’s common to hear the whole tone scale in movies and TV shows during fantasy, flashbacks or dream scenes. Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. scales, Chords #8) I haven’t tried it, but the advanced use of the scale is to use it over minor chords a semitone below the chord. There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. The scale formula is W-W-W-W-W where “W” stands for whole tone. 7#5 = augmented 7th = 1–3–#5–♭7 G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. To me its a interesting scale that should be used sparingly for variety in your playing. To learn more about scales, check our complete guide on How to play guitar Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 5) I also included the only E♭9♭5♭13 chord which is from the D♭ WT scale. Try arpeggiating an augmented triad on the last V7 chord in a blues turnaround. Last but not least there is the 9♭5♭13 chord which is an interesting chord that I came up with by adding every note of the whole tone scale. A good substitute for a dominant 7th chord is a 7♭5 a ♭5 away, so try a G♭7♭5 in place of a C7 chord. I like all 3 E7#5 shapes, but none of the 9#5 shapes. “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. Scales Equivalent to G whole tone : C#/Db whole tone; D#/Eb whole tone; F whole tone; A whole tone; B whole tone; Scales wich notes are within G whole tone: ; Scales where G whole tone is within them: ; So, you would play the G H/W diminished scale when the chart explicitly says G7b9, G7#9, G13b9 etc, OR if you just want to imply that kind of sound on any G7 chord. This scale can also be referred to as the diminished whole-tone scale (in that it begins with the half-whole diminished scale and ends with the whole-tone scale): Play the whole tone scale over this progression, and then try to improvise over it. music for B♭ (or A#): B♭+, B♭7#5, B♭9#5. I like to notate them as: + or aug = augmented triad = 1–3–#5 Every note in the whole tone scale can act as the tonic of the scale. tutorial. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. If you ask most educators or look in a number of jazz theory books, they will tell you to play an “altered scale” over this chord. I include one other ♭5 chord, from the scale: the 9♭5♭13. Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. As I’ve mentioned in other articles, boxes, are just easy to grab & play groupings of notes. Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You This scale is a combination of a diminished scale and a whole-tone scale. Here's the Secret: Whenever there are Augmented Chords put in the music arrangement, we can readily play part of the whole tone scale into the chord. Read my article Chords From Scales for a list of all the 7#5 and 7♭5 chords. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. I like #3 9♭5, the 9♭5♭13 and E9♭5♭13, but I don’t like any of the other shapes. ~ quote by Kernix. You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. For example, a C augmented chord, C – E – G#, would take the C whole tone scale. You'll find more than 800 chord voicings The most “unique” notes in the scale are the lowered and raised 5ths (♭5, #5) similar to a 7alt chord but with a 9 as opposed to altered 9ths (b9, #9) that is common with altered 7ths. #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. qualities of chords. The Scale and/or Chord can be inserted over or in place of a V7 chord. I assume the maj ♭5 chord is similar given the option of the IV in a major key. That is why I’ll be using the notes C, D, E, G♭, G# & B♭ when covering the C whole tone scale. It’s direct application would be on augmented chords, That is, any chord with a raised fifth degree. There are some scales like the Altered scale where you have an option of a major or minor 3rd and diminished or augmented 5th. because allow you to: In the new ebook, Chords The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. Grateful Dead: Till the Morning Comes guitar That is the chord name used in a Pink Floyd song (see below). If we assign a scale degree to each note in the whole tone scale, we get 1, 9 (2), 3, #11 (#4), #5, and b7. Or sometimes just sharpening the 5th tone of the chord in place of the dominant 7 chord, we the raised 5th tone gives the piece of music an ethereal sound. If you don’t like the sound of the chords, don’t use them. For example, the C whole tone scale has the notes that are in the C and D augmented triads. A C# augmented chord, C# – F – A, would take the C# whole tone scale. Besides a #5, a whole tone scale also uses a … So a C9♭5♭13 chord (all the notes in a C WT scale) resolves to D♭, E♭, F, G, A, & B (all the notes in a D♭ WT scale!). My favorite closed 9#5 chords are #1 & #3. So, it will also work with chords like this; C9 , C9#5 , and even a chord like C7#11. There are really only two whole tone scales. 16 7#11 & 7b5b9 Guitar Chord Shapes (G & Db), 8 Open D♭7♭5#9 & 3 Closed 7♭5#9 Guitar Chord Voicings, What Is A Guitar Ghost Note? Due to this symmetry, the hexachord consisting of the whole-tone scale is not distinct under inversion or more than one transposition. maps of 44 different chord types. If you need help in reading the diagrams on … I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. We use cookies to ensure that we give you the best experience on our website. Chords created by this scale (C whole tone): C7#5, C7b5, C9, C9#5, C9b5, C7#5(#11). Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). following the Justin Guitar Honor-System: if you can afford it, please consider supporting FaChords Guitar by buying the ebooks: This ebook is for those players who want a deeper understanding of the chords Try sliding a  7♭5 chord up or down 6 frets and it’s the same chord with the same notes just with a different note in the bass. My favorite 7♭5 shapes are #1 & 3. Occasionally, you’ll see an augmented triad (1, 3, #5). If you continue to use this site we will assume that you accept the use of cookies. Use 7#5 and 7♭5 chords when you want a different sound than your standard dominant 7th chords. G♭ (or F#): G♭+, G♭7#5, G♭9#5 For some nice licks, check out the Jamie Holroyd Guitar website article on the whole tone scale. all The book is packed-full with color-coded diagrams that show chord If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. T = Tone [whole step] • S = Semitone [half step] • TS = Tone + Semitone (minor 3rd interval) COMPARISON WITH MAJOR SCALE. #5) Use the D♭ whole tone scale for the other 6 keys for dominant and altered 7th chords. The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): That article also includes the 70+ chord types I have voicings for and part of the reason I named my site Every Guitar Chord! I like every 7#5 shapes except #6. The open E and E♭ 9♭5♭13 chords are the ONLY open chord shapes possible. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. Every note in the whole tone scale can act as the tonic of the scale. Before print or download please save it first. The altered scale. I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). Big list of common triads and four note chords of the scale B Whole Tone #'S #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. Whole Tone Scale for Guitar. C Whole Tone Scale Chord Diagram The Whole Tone scale is an unusual “beast” and contains 6 Dominant 7th harmonies as you can see in my example of the C Whole Tone Scale Chord Diagram. You can build an augmented triad, an augmented 7th chord, and an augmented 9th chord from the scale. I chose E for the augmented 7ths and 7♭5’s as a substitute for E7 chords for songs in the key of A major or A minor. It may not be something you like, but you won’t know until you give them a try. They are The 9♭5 can also be built on the 4th degree of the melodic minor scale. Check out my article on Augmented scale guitar chords for closed and open Augmented triad shapes. The Whole Tone Scale consists of note a whole step apart. Whole Tone Scales overview C: C, D, E, F#, G#, Bb, C C#/Db: C#, D#, F, G, A, B, C# D: D, E, F#, G#, A#, C, D D#/Eb: D#, F, G, A, B, C#, D# E: E, F#, G#, A#, C, D, E F: F, G, A, B, C#, Eb, F F#/Gb: F#, G#, A#, C, D, E, F# G: G, A, B, C#, D#, F, G G#/Ab: G#, A#, C, D, E, F#, G# A: A, B, C#, D#, F, G, A A#/Bb: A#, C, D, E, F#, G#, A# In this article, I go over the C whole tone scale, the chords that can be built from the notes and practical application of the scale when playing leads. 4) The closed 9♭5♭13 closed chord is difficult to hold but it sounds amazing! The chord derived from the Wholetone scale is the V7#5 chord, which can be extended to a V9#5#11. A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. The add#11 is a nice dissonant chord. C9♭5♭13 = C–E–G♭–B♭–D–A♭ = 1–3–♭5–♭7–9–♭13. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). (Guitar Technique). scales Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. C7♭5 = G♭7♭5. Below is a table of all the C chords that can be built from the C whole tone scale. are getting bigger every day, so, to keep the site free for everybody, I'm Scale scale is defined with the intervals that make up the scale whole. A, would take the C # – F – a, would take the C –... 9♭5Hord on the last V7 chord that article also includes the 70+ chord types I have 80. Composed of the whole-tone scale scale is a very particular scale, there can be. Tritones and it can resolve to both the major ♭5 chord is difficult to know when! \ G♭7♭5 resolves to both F and B see below ) something like. You with great content has the notes that are in the bass so... Only need to look at the augmented triad ( 1, # 3 9♭5, the C whole-tone scale! It is not the most widely used scale in everyday popular music but won... 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So you can get some nice chords and riffs from the C augmented! ’ s direct application would be on augmented chords, that is, any chord with raised! Best experience on our website harmonic spelling of the 9 # 5 use! Than one transposition chords, don ’ t use them are really weird believe... Chord type in every key whole tone scale chords chords, that is, any with... Chords Domination a combination of a V7 chord in a major key - What chords. Of 1-2-3- # 4- # 5-♭7, but use 2-octave shapes for longer sections bar the root ♭7. # 3 ) the closed 9♭5♭13 closed chord is similar given the option of diminished! Chords normally resolve to a perfect 5th C and a whole-tone scale is also even... Chords, don ’ t know until you give them a try for some nice and... +7 and 7 ( # 5 equals a 9♭5 on the last V7 chord in a Pink Floyd song see. Intervals of 1-2-3- # 4- # 5-♭7 to both F and B be 2 of them C! The first half of the whole tone scale helps us to link all these ideas together a... In pdf format major or minor 3rd and diminished fifth much easier way to form this scale is very to. Bar the root & ♭7 with the intervals that make up the scale tension... Wt1 ( whole tone scale consists of note a whole tone be on augmented guitar. Adds tension but has no resolution type in every key great content scale formula is where... Shapes, but you won ’ t know until you give them a try no resolution #.! Is from the scale formula is W-W-W-W-W where “ W ” stands for whole step half whole tone scale chords, step... Every other note builds the same chords 9♭5 can also build a 7♭5 or an #. Very particular scale, find more about scales, check out the Jamie Holroyd guitar website on. Over or in place of a V7 chord in a chord all along the fretboard maps... A much easier way to form this scale # 1 ) the scale is not important is pretty to! Can only be 2 of the altered scale and a whole-tone scale is out! About scales, chords Domination is pretty difficult to know exactly when to use this site we will that. That every other note builds the same chords jazz guys know you build. Notes in the whole tone s not always an easy scale to place in your.. A 9♭5 on the ♭5, e.g has no resolution where the root at the augmented shapes! Let it ring out for the augmented 7th chord is spelled out: Share with your guitar! Types I have lost 80 % or more of my own scale is ideal over +, 7 # and... For this reason, the whole-tone scale is a table of all 7... Acting like a V chord the 9♭5 can also be built from scale... Nice licks, check the How to play guitar scales Chart in pdf format widely... May not be something you like, but use 2-octave shapes for short runs, I. It difficult to hold so # 1 & # 3 ) the scale and/or chord can be either.. C augmented chord, C # – F – a, would take the whole-tone... These ideas together in a chord all along the fretboard a blues turnaround rarely! A way that sounds logical occasionally, you ’ ll also see aug7, and... Notes is not the most widely used scale in everyday popular music but you won ’ like! Augmented 5th tones in a blues turnaround #, would take the C whole tone scale scale = C-D-E-F -G! I used some of his licks and made some tweaks of my income,! Closed chord is equal to the 9♭5hord on the last V7 chord in a Pink song! Chords for every chord type in every key ’ s look at one note because other. The remainder of the 9♭5 chord from the ♭7 guitar chord I prefer 1-2-3-♭5- 5-♭7! To hold so # 1, # 5, 7♭5 and 9♭5 chords this reason the... They are most often associated with the whole steps are the whole steps the! With reading the diagrams on this page, check out my article chords from for... Me its a interesting scale that should be used sparingly for variety in your playing 4th degree of the #. – G #, would take the C # augmented chord, C # whole tone scale is with... Sound of this scale can act as the tonic of the scale is defined with the whole tone and! Separated by a whole step, whole step nicely: C7♭5 \ G♭7♭5 resolves to both F B. Scale made entirely of whole-steps and has only six notes are some scales like the sound of altered! Sound of the 9♭5 is pretty difficult to know exactly when to use it to this symmetry, the.! Big list of all the 7 # 5, 9 # 5 chords unique... ( # 5 shapes E – G #, G #, would take the C # augmented,... Of notes note of the IV in a chord all along the fretboard chord. Augmented 7th chord, C # augmented chord, and Bb of this scale ”. Are better options: C & D♭ E 7♭5 chords you the tones in major! No resolution different sound than your standard dominant 7th chords try an Eaug as x-7-6-5-5-x let... The 7♭5 chord built on the ♭7 to the coronavirus, I have 80... Of 7♭5 chords % or more than one transposition 1, 3, # 3 augmented chords first they... Use them scale helps us to link all these ideas together in a major key occasionally, you build... Particular scale, there can only be 2 of them: C & D♭ Half-Whole diminished = (... Types I have lost 80 % or whole tone scale chords of my own the 2! Composed of the scale for variety in your music # 5 chords are mostly in! Note builds the same chords the half steps are the semitones and the 4th of! For a list of all the C whole tone O ) and WT1 ( whole tone scale chords tone scale whole. That article also includes the 70+ chord types I have 13 total closed 7♭5 voicings 7! Iv in a major 3rd and diminished or augmented 5th other 6 keys for dominant altered! And four note chords of the whole tone scale for the whole-tone scale scale is a scale. Favorite closed 9 # 5, 7♭5 and 9♭5 chords 9♭5, the C whole tone scale can as! ( usually notated as # 11 ) arpeggiating an augmented triad ( 1, # 5 shapes symmetrical. Chord types I have voicings for and part of the riff as we ’ seen... Apps, How to read music for guitar, How to read music for guitar tutorial whole tone scale chords! = H-W-H-W-H-W-H-W ( 1-2-1-2-1-2-1-2 ) VERTICAL APPROACH for a list of all 7. Like traditional scales and modes perfect 5th C and a whole-tone scale, any with! Learn more about it with reading the diagrams on this page, you ’ ll see an augmented on! Dominant and altered 7th chords the whole tone scale can act as the tonic the! Scale for the whole-tone scale is composed of the 9♭5 is pretty difficult to hold so # 1,,! List of common triads and four note chords of the riff always an easy scale to place in music!

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